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	<id>https://lamentations.lesourd.eu/index.php?action=history&amp;feed=atom&amp;title=Fedele_Fenaroli</id>
	<title>Fedele Fenaroli - Historique des versions</title>
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	<updated>2026-06-24T19:21:41Z</updated>
	<subtitle>Historique des versions pour cette page sur le wiki</subtitle>
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	<entry>
		<id>https://lamentations.lesourd.eu/index.php?title=Fedele_Fenaroli&amp;diff=136196&amp;oldid=prev</id>
		<title>Jeremy le 5 juillet 2014 à 10:33</title>
		<link rel="alternate" type="text/html" href="https://lamentations.lesourd.eu/index.php?title=Fedele_Fenaroli&amp;diff=136196&amp;oldid=prev"/>
		<updated>2014-07-05T10:33:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Version précédente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 5 juillet 2014 à 10:33&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Ligne 5 :&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 5 :&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ses compositions se distinguent plus par la pureté du style que par l&amp;#039;invention : c&amp;#039;est pourtant dans l&amp;#039;enseignement du contrepoint et de la composition qu&amp;#039;il excelle.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ses compositions se distinguent plus par la pureté du style que par l&amp;#039;invention : c&amp;#039;est pourtant dans l&amp;#039;enseignement du contrepoint et de la composition qu&amp;#039;il excelle.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ses élèves les plus connus sont &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Luigi Mosca&lt;/del&gt;, Pietro &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Antonio Coppola, &lt;/del&gt;Carlo Conti, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Silvestro Palma, Salvatore Fighera&lt;/del&gt;, Giacomo Cordella&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Francis Ruggi&lt;/del&gt;, Traugott Maximilian Eberwein, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Domenico Cimarosa&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Niccolò Antonio Zingarelli]]&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Carlo Coccia&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Michele Carafa de Colobrano&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nicola Manfroce&lt;/del&gt;, Giuseppe Nicolini, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Saverio Mercadante &lt;/del&gt;et &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Vincenzo Lavigna&lt;/del&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ses élèves les plus connus sont &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Michele Carafa de Colobrano, Domenico Cimarosa, Carlo Coccia&lt;/ins&gt;, Pietro Carlo Conti, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Antonio Coppola&lt;/ins&gt;, Giacomo Cordella, Traugott Maximilian Eberwein, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Salvatore Fighera&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Vincenzo Lavigna&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nicola Manfroce&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Saverio Mercadante&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Luigi Mosca&lt;/ins&gt;, Giuseppe Nicolini, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Silvestro Palma, Francis Ruggi &lt;/ins&gt;et &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Niccolò Antonio Zingarelli]]&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Il compose des &amp;#039;&amp;#039;Lamentazioni e lezioni per la Passione&amp;#039;&amp;#039; pour la Semaine Sainte pour vx solo ([[Abréviations|I-MC]]). On en trouve également des exemplaires dans d&amp;#039;autres villes :&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Il compose des &amp;#039;&amp;#039;Lamentazioni e lezioni per la Passione&amp;#039;&amp;#039; pour la Semaine Sainte pour vx solo ([[Abréviations|I-MC]]). On en trouve également des exemplaires dans d&amp;#039;autres villes :&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jeremy</name></author>
	</entry>
	<entry>
		<id>https://lamentations.lesourd.eu/index.php?title=Fedele_Fenaroli&amp;diff=136195&amp;oldid=prev</id>
		<title>Jeremy le 5 juillet 2014 à 10:28</title>
		<link rel="alternate" type="text/html" href="https://lamentations.lesourd.eu/index.php?title=Fedele_Fenaroli&amp;diff=136195&amp;oldid=prev"/>
		<updated>2014-07-05T10:28:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Version précédente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 5 juillet 2014 à 10:28&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Ligne 1 :&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 1 :&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(Lanciano, Chieti 25 avril 1730 – Naples 1&amp;lt;sup&amp;gt;er&amp;lt;/sup&amp;gt; janvier 1818)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(Lanciano, Chieti 25 avril 1730 – Naples 1&amp;lt;sup&amp;gt;er&amp;lt;/sup&amp;gt; janvier 1818)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Compositeur et pédagogue italien, il reçoit sa 1&amp;lt;sup&amp;gt;ère&amp;lt;/sup&amp;gt; éducation musicale de son père qui est &#039;&#039;maestro di cappella&#039;&#039; à &#039;&#039;Santa Maria del Ponte&#039;&#039; à Lanciano, puis poursuit ses études sous la direction de [[Francesco Durante]] et de Pietro Antonio Gallo &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;au conservatoire &#039;&#039;San Maria di Loreto&#039;&#039;&lt;/del&gt;, avec pour collègues Antonio Sacchini et [[Pietro Alessandro Guglielmi]], devient successivement 2&amp;lt;sup&amp;gt;ème&amp;lt;/sup&amp;gt; (1763) puis 1&amp;lt;sup&amp;gt;er&amp;lt;/sup&amp;gt; &#039;&#039;maestro di cappella&#039;&#039; du conservatoire (1777), lorsque ce dernier fusionne avec la &#039;&#039;Pietà dei Turchini&#039;&#039; pour devenir le conservatoire &#039;&#039;San Pietro a Majella&#039;&#039;, dirige &#039;&#039;l&#039;Associazione dei Cavalieri&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/del&gt;est chargé avec Giovanni Paisiello et Giacomo Tritto de la réorganisation d&#039;ensemble, continue jusqu&#039;en 1817 année au cours de laquelle Zingarelli lui succède&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Compositeur et pédagogue italien, il reçoit sa 1&amp;lt;sup&amp;gt;ère&amp;lt;/sup&amp;gt; éducation musicale de son père &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Francesco Fenaroli &lt;/ins&gt;qui est &#039;&#039;maestro di cappella&#039;&#039; à &#039;&#039;Santa Maria del Ponte&#039;&#039; à Lanciano, puis poursuit ses études&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, à la mort de son père en 1744, au conservatoire &#039;&#039;San Maria di Loreto&#039;&#039; &lt;/ins&gt;sous la direction de [[Francesco Durante]] et de Pietro Antonio &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;et Leo L. &lt;/ins&gt;Gallo, avec pour collègues Antonio Sacchini et [[Pietro Alessandro Guglielmi]]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, à la mort de [[Francesco Durante]] enseigne le contrepoint et la composition, prend en 1762 temporairement la place d&#039;Antonio Sacchini, second maître de la chapelle de &#039;&#039;S. Maria in Loreto&#039;&#039;&lt;/ins&gt;, devient successivement 2&amp;lt;sup&amp;gt;ème&amp;lt;/sup&amp;gt; (1763) puis 1&amp;lt;sup&amp;gt;er&amp;lt;/sup&amp;gt; &#039;&#039;maestro di cappella&#039;&#039; du conservatoire (1777), lorsque ce dernier fusionne avec la &#039;&#039;Pietà dei Turchini&#039;&#039; pour devenir le conservatoire &#039;&#039;San Pietro a Majella&#039;&#039;, dirige &#039;&#039;l&#039;Associazione dei Cavalieri&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;est chargé avec Giovanni Paisiello et Giacomo Tritto de la réorganisation d&#039;ensemble, continue jusqu&#039;en 1817 année au cours de laquelle &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Niccolò Antonio &lt;/ins&gt;Zingarelli&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;lui succède.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Il a pour élèves , , et &lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ses compositions se distinguent plus par la pureté du style que par l&amp;#039;invention : c&amp;#039;est pourtant dans l&amp;#039;enseignement du contrepoint et de la composition qu&amp;#039;il excelle.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ses compositions se distinguent plus par la pureté du style que par l&amp;#039;invention : c&amp;#039;est pourtant dans l&amp;#039;enseignement du contrepoint et de la composition qu&amp;#039;il excelle.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ses élèves les plus connus sont Domenico Cimarosa, [[Niccolò Antonio Zingarelli]], Carlo Coccia, Michele Carafa de Colobrano, Nicola Manfroce, Giuseppe Nicolini, Saverio Mercadante et Vincenzo Lavigna.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ses élèves les plus connus sont &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Luigi Mosca, Pietro Antonio Coppola, Carlo Conti, Silvestro Palma, Salvatore Fighera, Giacomo Cordella, Francis Ruggi, Traugott Maximilian Eberwein, &lt;/ins&gt;Domenico Cimarosa, [[Niccolò Antonio Zingarelli]], Carlo Coccia, Michele Carafa de Colobrano, Nicola Manfroce, Giuseppe Nicolini, Saverio Mercadante et Vincenzo Lavigna.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Il compose des &#039;&#039;Lamentazioni e lezioni&#039;&#039; pour la Semaine Sainte pour vx solo ([[Abréviations|I-MC]]). On en trouve également des exemplaires dans d&#039;autres villes :&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Il compose des &#039;&#039;Lamentazioni e lezioni &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;per la Passione&lt;/ins&gt;&#039;&#039; pour la Semaine Sainte pour vx solo ([[Abréviations|I-MC]]). On en trouve également des exemplaires dans d&#039;autres villes :&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lamentazioni. Giovedì . 3, Feria V in Cena Domini - Lectio 3.a:, Io(d manum suam misit hostis) pour S et bc/org., Ms.181 ([[Abréviations|I-Sc]]),&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lamentazioni. Giovedì . 3, Feria V in Cena Domini - Lectio 3.a:, Io(d manum suam misit hostis) pour S et bc/org., Ms.181 ([[Abréviations|I-Sc]]),&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lamentazione prima del Venerdì Santo, Lamentazioni. Sabbato Sancto, De lamentatione pour C, 2 vns et bc, Mus.Rel. 557(13-16) - [collocazione precedente] X. 1483 ([[Abréviations|I-Nc]]),&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lamentazione prima del Venerdì Santo, Lamentazioni. Sabbato Sancto, De lamentatione pour C, 2 vns et bc, Mus.Rel. 557(13-16) - [collocazione precedente] X. 1483 ([[Abréviations|I-Nc]]),&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l34&quot;&gt;Ligne 34 :&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 32 :&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Canto Solo | Lamentazione Terza del Mercoledi Santo Del Sig.r | D. Fedele Fenaroli. Canto di Soprano | Con Organo, Lamentazione terza del Mercoledi Santo. Soprano, Organo, Jod manum suam misit, Noseda P.4.27 ([[Abréviations|I-Mc]]),&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Canto Solo | Lamentazione Terza del Mercoledi Santo Del Sig.r | D. Fedele Fenaroli. Canto di Soprano | Con Organo, Lamentazione terza del Mercoledi Santo. Soprano, Organo, Jod manum suam misit, Noseda P.4.27 ([[Abréviations|I-Mc]]),&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezione 2.ma del Giovedi Santo | Per Basso solo | Con Violini, ed Organo, Lamentazioni. Giovedi. 2. Basso, 2 Violini, Organo. re minore, Lamed, Noseda S.10.2 ([[Abréviations|I-Mc]]),&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezione 2.ma del Giovedi Santo | Per Basso solo | Con Violini, ed Organo, Lamentazioni. Giovedi. 2. Basso, 2 Violini, Organo. re minore, Lamed, Noseda S.10.2 ([[Abréviations|I-Mc]]),&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;--&amp;gt; Voir également : http://musiqueclassique.forumpro.fr/t9690-fedele-fenaroli&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jeremy</name></author>
	</entry>
	<entry>
		<id>https://lamentations.lesourd.eu/index.php?title=Fedele_Fenaroli&amp;diff=136194&amp;oldid=prev</id>
		<title>Jeremy le 5 juillet 2014 à 08:32</title>
		<link rel="alternate" type="text/html" href="https://lamentations.lesourd.eu/index.php?title=Fedele_Fenaroli&amp;diff=136194&amp;oldid=prev"/>
		<updated>2014-07-05T08:32:27Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;fr&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Version précédente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 5 juillet 2014 à 08:32&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Ligne 1 :&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 1 :&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(Lanciano, Chieti 1730 – Naples 1818)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(Lanciano, Chieti &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;25 avril &lt;/ins&gt;1730 – Naples &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1&amp;lt;sup&amp;gt;er&amp;lt;/sup&amp;gt; janvier &lt;/ins&gt;1818)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Compositeur et pédagogue italien, il reçoit sa 1&amp;lt;sup&amp;gt;ère&amp;lt;/sup&amp;gt; éducation musicale de son père qui est &amp;#039;&amp;#039;maestro di cappella&amp;#039;&amp;#039; à &amp;#039;&amp;#039;Santa Maria del Ponte&amp;#039;&amp;#039; à Lanciano, puis poursuit ses études sous la direction de [[Francesco Durante]] et de Pietro Antonio Gallo au conservatoire &amp;#039;&amp;#039;San Maria di Loreto&amp;#039;&amp;#039;, avec pour collègues Antonio Sacchini et [[Pietro Alessandro Guglielmi]], devient successivement 2&amp;lt;sup&amp;gt;ème&amp;lt;/sup&amp;gt; (1763) puis 1&amp;lt;sup&amp;gt;er&amp;lt;/sup&amp;gt; &amp;#039;&amp;#039;maestro di cappella&amp;#039;&amp;#039; du conservatoire (1777), lorsque ce dernier fusionne avec la &amp;#039;&amp;#039;Pietà dei Turchini&amp;#039;&amp;#039; pour devenir le conservatoire &amp;#039;&amp;#039;San Pietro a Majella&amp;#039;&amp;#039;, dirige &amp;#039;&amp;#039;l&amp;#039;Associazione dei Cavalieri&amp;#039;&amp;#039;. est chargé avec Giovanni Paisiello et Giacomo Tritto de la réorganisation d&amp;#039;ensemble, continue jusqu&amp;#039;en 1817 année au cours de laquelle Zingarelli lui succède.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Compositeur et pédagogue italien, il reçoit sa 1&amp;lt;sup&amp;gt;ère&amp;lt;/sup&amp;gt; éducation musicale de son père qui est &amp;#039;&amp;#039;maestro di cappella&amp;#039;&amp;#039; à &amp;#039;&amp;#039;Santa Maria del Ponte&amp;#039;&amp;#039; à Lanciano, puis poursuit ses études sous la direction de [[Francesco Durante]] et de Pietro Antonio Gallo au conservatoire &amp;#039;&amp;#039;San Maria di Loreto&amp;#039;&amp;#039;, avec pour collègues Antonio Sacchini et [[Pietro Alessandro Guglielmi]], devient successivement 2&amp;lt;sup&amp;gt;ème&amp;lt;/sup&amp;gt; (1763) puis 1&amp;lt;sup&amp;gt;er&amp;lt;/sup&amp;gt; &amp;#039;&amp;#039;maestro di cappella&amp;#039;&amp;#039; du conservatoire (1777), lorsque ce dernier fusionne avec la &amp;#039;&amp;#039;Pietà dei Turchini&amp;#039;&amp;#039; pour devenir le conservatoire &amp;#039;&amp;#039;San Pietro a Majella&amp;#039;&amp;#039;, dirige &amp;#039;&amp;#039;l&amp;#039;Associazione dei Cavalieri&amp;#039;&amp;#039;. est chargé avec Giovanni Paisiello et Giacomo Tritto de la réorganisation d&amp;#039;ensemble, continue jusqu&amp;#039;en 1817 année au cours de laquelle Zingarelli lui succède.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jeremy</name></author>
	</entry>
	<entry>
		<id>https://lamentations.lesourd.eu/index.php?title=Fedele_Fenaroli&amp;diff=136193&amp;oldid=prev</id>
		<title>Jeremy le 5 juillet 2014 à 08:30</title>
		<link rel="alternate" type="text/html" href="https://lamentations.lesourd.eu/index.php?title=Fedele_Fenaroli&amp;diff=136193&amp;oldid=prev"/>
		<updated>2014-07-05T08:30:39Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;fr&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Version précédente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 5 juillet 2014 à 08:30&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot;&gt;Ligne 12 :&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 12 :&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lamentazioni. Giovedì . 3, Feria V in Cena Domini - Lectio 3.a:, Io(d manum suam misit hostis) pour S et bc/org., Ms.181 ([[Abréviations|I-Sc]]),&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lamentazioni. Giovedì . 3, Feria V in Cena Domini - Lectio 3.a:, Io(d manum suam misit hostis) pour S et bc/org., Ms.181 ([[Abréviations|I-Sc]]),&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lamentazione prima del Venerdì Santo, Lamentazioni. Sabbato Sancto, De lamentatione pour C, 2 vns et bc, Mus.Rel. 557(13-16) - [collocazione precedente] X. 1483 ([[Abréviations|I-Nc]]),&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lamentazione prima del Venerdì Santo, Lamentazioni. Sabbato Sancto, De lamentatione pour C, 2 vns et bc, Mus.Rel. 557(13-16) - [collocazione precedente] X. 1483 ([[Abréviations|I-Nc]]),&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lamentazioni | Per il Mercoldì Santo | Notturno 3.o | Musica &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Del Sig.r Fedele Fenaroli&lt;/del&gt;, Lamentazioni. Mercoledì. 3. Soprano,Orchestra, Jod manum suam misit, pour S, 2 vns et bc,, Noseda Q.31.3, ([[Abréviations|I-Mc]]),  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lamentazioni | Per il Mercoldì Santo | Notturno 3.o | Musica, Lamentazioni. Mercoledì. 3. Soprano,Orchestra, Jod manum suam misit, pour S, 2 vns et bc,, Noseda Q.31.3, ([[Abréviations|I-Mc]]),  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezzione [!] Prima del Giovedì Santo, Lamentazioni. Feria VI. Contralto,2 Violini,Organ, De lamentatione, pour A, 2 vns et org., Mus.Rel. 557(21-24) - [collocazione precedente] X. 1485 ([[Abréviations|I-Nc]]),&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezzione [!] Prima del Giovedì Santo, Lamentazioni. Feria VI. Contralto,2 Violini,Organ, De lamentatione, pour A, 2 vns et org., Mus.Rel. 557(21-24) - [collocazione precedente] X. 1485 ([[Abréviations|I-Nc]]),&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezzione [!] Terza del Giovedì Santo, Lamentazioni. Feria VI. Cantus, 2 Violini, Organo, Aleph, Mus.Rel. 557(29-32) - [collocazione precedente] X. 1487 ([[Abréviations|I-Nc]]),&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezzione [!] Terza del Giovedì Santo, Lamentazioni. Feria VI. Cantus, 2 Violini, Organo, Aleph, Mus.Rel. 557(29-32) - [collocazione precedente] X. 1487 ([[Abréviations|I-Nc]]),&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l26&quot;&gt;Ligne 26 :&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 26 :&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezzione [!] 3. Del venerdì Santo, Lamentazioni. Sabbato Sancto. Cantus, 2 Violini, Violoncello, Organo, Incipit oratio, Mus.Rel. 557(5-8) - [collocazione precedente] X. 1489 ([[Abréviations|I-Nc]]),&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezzione [!] 3. Del venerdì Santo, Lamentazioni. Sabbato Sancto. Cantus, 2 Violini, Violoncello, Organo, Incipit oratio, Mus.Rel. 557(5-8) - [collocazione precedente] X. 1489 ([[Abréviations|I-Nc]]),&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Giovedì Santo | Lamentazione P.ma del Pmo Notturno | Con Organo, Lamentazioni. Venerdì Santo. Lezione 1. Soprano, Organo, De lamentatione, Ms.194 ([[Abréviations|I-Sc]]),&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Giovedì Santo | Lamentazione P.ma del Pmo Notturno | Con Organo, Lamentazioni. Venerdì Santo. Lezione 1. Soprano, Organo, De lamentatione, Ms.194 ([[Abréviations|I-Sc]]),&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezione 1.ma del Giovedi Santo | Per Tenore solo | Con Violini ed Organo | Musica,&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezione 1.ma del Giovedi Santo | Per Tenore solo | Con Violini ed Organo | Musica&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Lamentazioni. Giovedi. 1, De lamentatione, Noseda S.10.1 ([[Abréviations|I-Mc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lezione 3.a del Giovedi Santo | Per Soprano solo, Lamentazioni. Giovedi. 3. Soprano,2 Violini, Organo. si bemolle maggiore, Aleph, Noseda S.10.3 ([[Abréviations|I-Mc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lamentazione | Per il Mercoledi Santo | Notturno 1.o, Lamentazioni. Mercoledi. 1. Soprano, 2 Violini, Organo. fa maggiore, Incipit Lamentatio Ieremiae, Noseda S.11.21 ([[Abréviations|I-Mc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lamentazione | per il Mercoledi Santo | Notturno 2, Lamentazioni. Mercoledi. 2. Soprano, 2 Violini, Organo. la minore, Vau et egressus est, Noseda S.11.23 ([[Abréviations|I-Mc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lezzione [!] 2.a del Giovedì Santo | Violino Pmo, Lamentazioni. Feria VI. Basso, 2 Violini, Organo, Lamen, Mus.Rel. 557(25-28) - [collocazione precedente] X. 1486 ([[Abréviations|I-Nc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Primo Notturno | Lezzione per il Venerdì Santo | Quomodo obscuratu est aurum &amp;amp; | Musica | Del Sig.r D. Fedele Fenaroli | Per uso della Sig.r Suor Maria Vincenza | Fico copista, Lamentazioni. Sabato2. Soprano, Violino, Organo, Aleph, Ms.236.1 ([[Abréviations|I-Sc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Canto Solo | Lamentazione Terza del Mercoledi Santo Del Sig.r | D. Fedele Fenaroli. Canto di Soprano | Con Organo, Lamentazione terza del Mercoledi Santo. Soprano, Organo, Jod manum suam misit, Noseda P.4.27 ([[Abréviations|I-Mc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lezione 2.ma del Giovedi Santo | Per Basso solo | Con Violini, ed Organo, Lamentazioni. Giovedi. 2. Basso, 2 Violini, Organo. re minore, Lamed, Noseda S.10.2 ([[Abréviations|I-Mc]])&lt;/ins&gt;,&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jeremy</name></author>
	</entry>
	<entry>
		<id>https://lamentations.lesourd.eu/index.php?title=Fedele_Fenaroli&amp;diff=136192&amp;oldid=prev</id>
		<title>Jeremy le 5 juillet 2014 à 08:19</title>
		<link rel="alternate" type="text/html" href="https://lamentations.lesourd.eu/index.php?title=Fedele_Fenaroli&amp;diff=136192&amp;oldid=prev"/>
		<updated>2014-07-05T08:19:59Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Version précédente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 5 juillet 2014 à 08:19&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l14&quot;&gt;Ligne 14 :&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 14 :&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lamentazioni | Per il Mercoldì Santo | Notturno 3.o | Musica | Del Sig.r Fedele Fenaroli, Lamentazioni. Mercoledì. 3. Soprano,Orchestra, Jod manum suam misit, pour S, 2 vns et bc,, Noseda Q.31.3, ([[Abréviations|I-Mc]]),  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lamentazioni | Per il Mercoldì Santo | Notturno 3.o | Musica | Del Sig.r Fedele Fenaroli, Lamentazioni. Mercoledì. 3. Soprano,Orchestra, Jod manum suam misit, pour S, 2 vns et bc,, Noseda Q.31.3, ([[Abréviations|I-Mc]]),  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezzione [!] Prima del Giovedì Santo, Lamentazioni. Feria VI. Contralto,2 Violini,Organ, De lamentatione, pour A, 2 vns et org., Mus.Rel. 557(21-24) - [collocazione precedente] X. 1485 ([[Abréviations|I-Nc]]),&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezzione [!] Prima del Giovedì Santo, Lamentazioni. Feria VI. Contralto,2 Violini,Organ, De lamentatione, pour A, 2 vns et org., Mus.Rel. 557(21-24) - [collocazione precedente] X. 1485 ([[Abréviations|I-Nc]]),&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezzione [!] Terza del Giovedì Santo, Lamentazioni. Feria VI. Cantus,2 Violini, Organo, Aleph&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, pour C, 2 vns et org.&lt;/del&gt;, Mus.Rel. 557(29-32) - [collocazione precedente] X. 1487 ([[Abréviations|I-Nc]]),&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezzione [!] Terza del Giovedì Santo, Lamentazioni. Feria VI. Cantus, 2 Violini, Organo, Aleph, Mus.Rel. 557(29-32) - [collocazione precedente] X. 1487 ([[Abréviations|I-Nc]]),&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezzione [!] 2.a del Venerdì Santo, Lamentazioni. Sabbato Sancto. Contralto,2 Violini, Organo, Aleph&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, pour A, 2 vns et org.&lt;/del&gt;, Mus.Rel. 557(33-36) - [collocazione precedente] X. 1488 ([[Abréviations|I-Nc]]),&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezzione [!] 2.a del Venerdì Santo, Lamentazioni. Sabbato Sancto. Contralto, 2 Violini, Organo, Aleph, Mus.Rel. 557(33-36) - [collocazione precedente] X. 1488 ([[Abréviations|I-Nc]]),&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezzione [!] terza Venerdì Santo, Lamentazioni. Sabbato Sancto, Incipit oratio Jeremiae Prophetae, pour C, 2 vns et bc, Mus.Rel. 557(42-47) - [collocazione precedente] X. 1490 ([[Abréviations|I-Nc]]),&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezzione [!] terza Venerdì Santo, Lamentazioni. Sabbato Sancto, Incipit oratio Jeremiae Prophetae, pour C, 2 vns et bc, Mus.Rel. 557(42-47) - [collocazione precedente] X. 1490 ([[Abréviations|I-Nc]]),&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezzione 3.a | Del venerdì Santo | Con Organo, Lamentazioni. Sabato3. Soprano, Organo, Incipit oratio ora(tio jeremie prophete, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;pour &lt;/del&gt;S &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;et org&lt;/del&gt;., Ms.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;240 &lt;/del&gt;([[Abréviations|I-Sc]]),&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lezzione 3.a | Del venerdì Santo | Con Organo, Lamentazioni. Sabato3. Soprano, Organo, Incipit oratio ora(tio jeremie prophete, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ms.240 ([[Abréviations|I-Sc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lamentazione 3.a | Venerdì Santo | Con organo, Lamentazioni. Giovedì3. Soprano, Organo, Jo(d), Ms.185.1 ([[Abréviations|I-Sc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lezzione [!] Prima del primo Notturno, Lamentazioni. Festa Novembris 2. Soprano, 2 Violini, 2 Viole, Mus.Rel. 558 - [collocazione precedente] Oc.2.21 ([[Abréviations|I-Nc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lamentazione Seconda del Mercoledì Santo | a Voce Sola di Soprano con VV.ni e Basso, Lamentazioni. Feria V, Vau, Mus.Rel. 557(1-4) - [collocazione precedente] X. 1480 ([[Abréviations|I-Nc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lamentazione Terza del Mercoldì Santo a | Voce Sola di Soprano Con VV.ni e Basso, Lamentazioni. Feria V, Mus.Rel. 557(5-8) - [collocazione precedente] X. 1481 ([[Abréviations|I-Nc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lamentazione 2. del Giovedi Santo, Lamentazioni. Feria VI. Soprano, 2 Violini, Organo, Lamed, Mus.Rel. 557(5-8) - [collocazione precedente] X. 1482 ([[Abréviations|I-Nc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lezzione [!] Pma Del Mercoledi &lt;/ins&gt;S.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;to, Lamentazioni. Feria V. Contralto, 2 Violini, Organo, Incipit lamentatio Jeremia Propheta, Mus.Rel. 557(5-8) - [collocazione precedente] X. 1484 ([[Abréviations|I-Nc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lezzione [!] 3. Del venerdì Santo, Lamentazioni. Sabbato Sancto. Cantus, 2 Violini, Violoncello, Organo, Incipit oratio, Mus.Rel. 557(5-8) - [collocazione precedente] X. 1489 ([[Abréviations|I-Nc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Giovedì Santo | Lamentazione P.ma del Pmo Notturno | Con Organo, Lamentazioni. Venerdì Santo. Lezione 1. Soprano, Organo, De lamentatione&lt;/ins&gt;, Ms.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;194 &lt;/ins&gt;([[Abréviations|I-Sc]])&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;,&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lezione 1.ma del Giovedi Santo | Per Tenore solo | Con Violini ed Organo | Musica&lt;/ins&gt;,&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jeremy</name></author>
	</entry>
	<entry>
		<id>https://lamentations.lesourd.eu/index.php?title=Fedele_Fenaroli&amp;diff=136191&amp;oldid=prev</id>
		<title>Jeremy le 5 juillet 2014 à 08:08</title>
		<link rel="alternate" type="text/html" href="https://lamentations.lesourd.eu/index.php?title=Fedele_Fenaroli&amp;diff=136191&amp;oldid=prev"/>
		<updated>2014-07-05T08:08:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;fr&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Version précédente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 5 juillet 2014 à 08:08&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Ligne 1 :&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 1 :&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(Lanciano, Chieti 1730 – Naples 1818)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(Lanciano, Chieti 1730 – Naples 1818)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Compositeur et pédagogue italien, il reçoit sa 1&amp;lt;sup&amp;gt;ère&amp;lt;/sup&amp;gt; éducation musicale de son père qui est &#039;&#039;maestro di cappella&#039;&#039; à &#039;&#039;Santa Maria del Ponte&#039;&#039; à Lanciano, puis poursuit ses études sous la direction de [[Francesco Durante]] et de Pietro Antonio Gallo au conservatoire &#039;&#039;San Maria di Loreto&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Successivement &lt;/del&gt;2&amp;lt;sup&amp;gt;ème&amp;lt;/sup&amp;gt; (1763) puis 1&amp;lt;sup&amp;gt;er&amp;lt;/sup&amp;gt; &#039;&#039;maestro di cappella&#039;&#039; du conservatoire (1777), lorsque ce dernier fusionne avec la &#039;&#039;Pietà dei Turchini&#039;&#039; pour devenir le conservatoire &#039;&#039;San Pietro a Majella&#039;&#039;, est chargé avec Giovanni Paisiello et Giacomo Tritto de la réorganisation d&#039;ensemble.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Compositeur et pédagogue italien, il reçoit sa 1&amp;lt;sup&amp;gt;ère&amp;lt;/sup&amp;gt; éducation musicale de son père qui est &#039;&#039;maestro di cappella&#039;&#039; à &#039;&#039;Santa Maria del Ponte&#039;&#039; à Lanciano, puis poursuit ses études sous la direction de [[Francesco Durante]] et de Pietro Antonio Gallo au conservatoire &#039;&#039;San Maria di Loreto&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, avec pour collègues Antonio Sacchini et [[Pietro Alessandro Guglielmi]], devient successivement &lt;/ins&gt;2&amp;lt;sup&amp;gt;ème&amp;lt;/sup&amp;gt; (1763) puis 1&amp;lt;sup&amp;gt;er&amp;lt;/sup&amp;gt; &#039;&#039;maestro di cappella&#039;&#039; du conservatoire (1777), lorsque ce dernier fusionne avec la &#039;&#039;Pietà dei Turchini&#039;&#039; pour devenir le conservatoire &#039;&#039;San Pietro a Majella&#039;&#039;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;dirige &#039;&#039;l&#039;Associazione dei Cavalieri&#039;&#039;. &lt;/ins&gt;est chargé avec Giovanni Paisiello et Giacomo Tritto de la réorganisation d&#039;ensemble&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, continue jusqu&#039;en 1817 année au cours de laquelle Zingarelli lui succède&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ses compositions se distinguent plus par la pureté du style que par l&#039;invention : c&#039;est pourtant dans l&#039;enseignement du contrepoint et de la composition qu&#039;il excelle. Ses élèves les plus &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fameux &lt;/del&gt;sont Domenico Cimarosa, [[Niccolò Antonio Zingarelli]], Carlo Coccia, Michele Carafa de Colobrano, Saverio Mercadante et Vincenzo Lavigna. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Il a été directeur de &#039;&#039;l&#039;Associazione dei Cavalieri&#039;&#039;. &lt;/del&gt;Il compose des &#039;&#039;Lamentazioni e lezioni&#039;&#039; pour la Semaine Sainte pour vx solo.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Il a pour élèves , , et .&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ses compositions se distinguent plus par la pureté du style que par l&#039;invention : c&#039;est pourtant dans l&#039;enseignement du contrepoint et de la composition qu&#039;il excelle.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ses élèves les plus &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;connus &lt;/ins&gt;sont Domenico Cimarosa, [[Niccolò Antonio Zingarelli]], Carlo Coccia, Michele Carafa de Colobrano&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Nicola Manfroce, Giuseppe Nicolini&lt;/ins&gt;, Saverio Mercadante et Vincenzo Lavigna.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Il compose des &#039;&#039;Lamentazioni e lezioni&#039;&#039; pour la Semaine Sainte pour vx solo &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;([[Abréviations|I-MC]]). On en trouve également des exemplaires dans d&#039;autres villes :&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lamentazioni. Giovedì . 3, Feria V in Cena Domini - Lectio 3.a:, Io(d manum suam misit hostis) pour S et bc/org., Ms.181 ([[Abréviations|I-Sc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lamentazione prima del Venerdì Santo, Lamentazioni. Sabbato Sancto, De lamentatione pour C, 2 vns et bc, Mus.Rel. 557(13-16) - [collocazione precedente] X. 1483 ([[Abréviations|I-Nc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lamentazioni | Per il Mercoldì Santo | Notturno 3.o | Musica | Del Sig.r Fedele Fenaroli, Lamentazioni. Mercoledì. 3. Soprano,Orchestra, Jod manum suam misit, pour S, 2 vns et bc,, Noseda Q.31.3, ([[Abréviations|I-Mc]]), &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lezzione [!] Prima del Giovedì Santo, Lamentazioni. Feria VI. Contralto,2 Violini,Organ, De lamentatione, pour A, 2 vns et org., Mus.Rel. 557(21-24) - [collocazione precedente] X. 1485 ([[Abréviations|I-Nc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lezzione [!] Terza del Giovedì Santo, Lamentazioni. Feria VI. Cantus,2 Violini, Organo, Aleph, pour C, 2 vns et org., Mus.Rel. 557(29-32) - [collocazione precedente] X. 1487 ([[Abréviations|I-Nc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lezzione [!] 2.a del Venerdì Santo, Lamentazioni&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sabbato Sancto. Contralto,2 Violini, Organo, Aleph, pour A, 2 vns et org., Mus.Rel. 557(33-36) - [collocazione precedente] X. 1488 ([[Abréviations|I-Nc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lezzione [!] terza Venerdì Santo, Lamentazioni. Sabbato Sancto, Incipit oratio Jeremiae Prophetae, pour C, 2 vns et bc, Mus.Rel. 557(42-47) - [collocazione precedente] X. 1490 ([[Abréviations|I-Nc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Lezzione 3.a | Del venerdì Santo | Con Organo, Lamentazioni. Sabato3. Soprano, Organo, Incipit oratio ora(tio jeremie prophete, pour S et org., Ms.240 ([[Abréviations|I-Sc]]),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jeremy</name></author>
	</entry>
	<entry>
		<id>https://lamentations.lesourd.eu/index.php?title=Fedele_Fenaroli&amp;diff=2980&amp;oldid=prev</id>
		<title>Jeremy le 11 juillet 2010 à 16:34</title>
		<link rel="alternate" type="text/html" href="https://lamentations.lesourd.eu/index.php?title=Fedele_Fenaroli&amp;diff=2980&amp;oldid=prev"/>
		<updated>2010-07-11T16:34:58Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Version précédente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 11 juillet 2010 à 16:34&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Ligne 1 :&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 1 :&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A compléter&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(Lanciano, Chieti 1730 – Naples 1818)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Compositeur et pédagogue italien, il reçoit sa 1&amp;lt;sup&amp;gt;ère&amp;lt;/sup&amp;gt; éducation musicale de son père qui est &#039;&#039;maestro di cappella&#039;&#039; à &#039;&#039;Santa Maria del Ponte&#039;&#039; à Lanciano, puis poursuit ses études sous la direction de [[Francesco Durante]] et de Pietro Antonio Gallo au conservatoire &#039;&#039;San Maria di Loreto&#039;&#039;. Successivement 2&amp;lt;sup&amp;gt;ème&amp;lt;/sup&amp;gt; (1763) puis 1&amp;lt;sup&amp;gt;er&amp;lt;/sup&amp;gt; &#039;&#039;maestro di cappella&#039;&#039; du conservatoire (1777), lorsque ce dernier fusionne avec la &#039;&#039;Pietà dei Turchini&#039;&#039; pour devenir le conservatoire &#039;&#039;San Pietro a Majella&#039;&#039;, est chargé avec Giovanni Paisiello et Giacomo Tritto de la réorganisation d&#039;ensemble. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ses compositions se distinguent plus par la pureté du style que par l&#039;invention : c&#039;est pourtant dans l&#039;enseignement du contrepoint et de la composition qu&#039;il excelle. Ses élèves les plus fameux sont Domenico Cimarosa, [[Niccolò Antonio Zingarelli]], Carlo Coccia, Michele Carafa de Colobrano, Saverio Mercadante et Vincenzo Lavigna. Il a été directeur de &#039;&#039;l&#039;Associazione dei Cavalieri&#039;&#039;. Il compose des &#039;&#039;Lamentazioni e lezioni&#039;&#039; pour la Semaine Sainte pour vx solo.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jeremy</name></author>
	</entry>
	<entry>
		<id>https://lamentations.lesourd.eu/index.php?title=Fedele_Fenaroli&amp;diff=592&amp;oldid=prev</id>
		<title>Jeremy : A protégé « Fedele Fenaroli » ([edit=autoconfirmed] (infini) [move=autoconfirmed] (infini))</title>
		<link rel="alternate" type="text/html" href="https://lamentations.lesourd.eu/index.php?title=Fedele_Fenaroli&amp;diff=592&amp;oldid=prev"/>
		<updated>2010-05-13T14:33:50Z</updated>

		<summary type="html">&lt;p&gt;A protégé « &lt;a href=&quot;/index.php?title=Fedele_Fenaroli&quot; title=&quot;Fedele Fenaroli&quot;&gt;Fedele Fenaroli&lt;/a&gt; » ([edit=autoconfirmed] (infini) [move=autoconfirmed] (infini))&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;fr&quot;&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Version précédente&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 13 mai 2010 à 14:33&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;fr&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(Aucune différence)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>Jeremy</name></author>
	</entry>
	<entry>
		<id>https://lamentations.lesourd.eu/index.php?title=Fedele_Fenaroli&amp;diff=591&amp;oldid=prev</id>
		<title>Jeremy : Page créée avec « A compléter »</title>
		<link rel="alternate" type="text/html" href="https://lamentations.lesourd.eu/index.php?title=Fedele_Fenaroli&amp;diff=591&amp;oldid=prev"/>
		<updated>2010-05-13T14:33:20Z</updated>

		<summary type="html">&lt;p&gt;Page créée avec « A compléter »&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nouvelle page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;A compléter&lt;/div&gt;</summary>
		<author><name>Jeremy</name></author>
	</entry>
</feed>